I disagree regarding us supposedly not knowing how his replacement might behave. Common sense tells us that even if Satoshi gets replaced, his replacement would almost certainly have a similar personality to him since there would be a niche to fill, and the replacement becoming a doppelgänger of Satoshi would be the easiest way to fill that spot. I also don't trust the writing staff to be able to come up with anything new in terms of personality traits for the replacement in the first place.
That's an interesting point of view given that practically everyone who has criticized Satoshi in this thread has called him inconsistent.
But this is another reason why I'm against the idea: given the abominable way that many of the main characters have been handled throughout the series, why should I have faith that a new protagonist would be handled any better? The anime's reputation for questionable writing proceeds it no matter what kind of change the producers/showrunners try to add to spice things up.
Mostly because Ash's personality lends itself very well as a main character to the kind of stories that pokémon wants to tell. Ash has a lot of passion, motivation, and drive to get plots going and to have him embark on whatever the main quest is that the games need marketing for. He is also enough of a goofy idiot to not make him overly competent and keep his adventures somewhat interesting and funny, and he has enough of a moral sense to portray the values the writers like to uphold and make him likeable and a decent enough role-model. Everybody else that isn't Ash is essentially a supporting character (or a less important main character, secondary main character, whatever you want to call them), and therefore a lot more malleable. But you need someone like Ash to drive the plot forward and to keep the core values intact.Why is it common sense for Ash's replacement to have a similar personality? There's no precedent for that within the show. In fact, any character they have replaced, they've replaced with someone with a different personality. May wasn't Misty 2.0, Dawn wasn't May 2.0, Cilan wasn't Brock 2.0, and so on.
Based on this, your mistrust isn't warranted. It's demonstrable in the show itself that they're capable of creating a diverse pool of characters and don't just seek to replicate traits from characters gone-by. Is it that much of a stretch to think this would apply to a hypothetical Ash replacement as well?
The only way to fix Ash would be for the writers to actually give a damn about writing him
Mostly because Ash's personality lends itself very well as a main character to the kind of stories that pokémon wants to tell. Ash has a lot of passion, motivation, and drive to get plots going and to have him embark on whatever the main quest is that the games need marketing for. He is also enough of a goofy idiot to not make him overly competent and keep his adventures somewhat interesting and funny, and he has enough of a moral sense to portray the values the writers like to uphold and make him likeable and a decent enough role-model. Everybody else that isn't Ash is essentially a supporting character (or a less important main character, secondary main character, whatever you want to call them), and therefore a lot more malleable. But you need someone like Ash to drive the plot forward and to keep the core values intact.
I'd very much want to see an anime adaptation of the Pokemon Adventures manga to see how it's handle, for better or worst. In an anime adaptation of any kind of manga, you should alway expect some things to be change out of creativity. For example, JoJo's Bizarre Adventures, there are two anime adaptations, the old one from the 90s and the new one from the 2010s. A person pointed it out in how each anime adapted the manga differently, a small but creative choice that adds to the atmosphere, the villain teleporting. In the old 90s version, it follows exactly how the manga works, where he just vanishes "POP" into nothingness but in the new version, when he teleports, it takes a much different turn from the manga where as soon as the light goes off, he disappears in a horror-like fashion. That's the kind of creative differences I want to see put into a Pokemon Adventures manga, for better or for worse.As much as I like the Pokemon Special manga, I'm not sure that I'd want to see an anime adaptation of that series. I feel like the series has been successful because it's in manga form, and an anime adaptation probably wouldn't end up being as good as the manga. I get that people dislike how Satoshi's been handled, but I honestly think I'd take him over someone like Red as a protagonist. No disrespect to Red, but it's harder for me to care about his development by comparison to Satoshi's since I view Satoshi as being so much more iconic than Red even though Red is arguably the better written character.
BTS_fan said:I feel like they do care about how they write him, it's just that their definition of caring differs from what older fans want.
The problem comes from where do you start?I'd very much want to see an anime adaptation of the Pokemon Adventures manga to see how it's handle, for better or worst. In an anime adaptation of any kind of manga, you should alway expect some things to be change out of creativity. For example, JoJo's Bizarre Adventures, there are two anime adaptations, the old one from the 90s and the new one from the 2010s. A person pointed it out in how each anime adapted the manga differently, a small but creative choice that adds to the atmosphere, the villain teleporting. In the old 90s version, it follows exactly how the manga works, where he just vanishes "POP" into nothingness but in the new version, when he teleports, it takes a much different turn from the manga where as soon as the light goes off, he disappears in a horror-like fashion. That's the kind of creative differences I want to see put into a Pokemon Adventures manga, for better or for worse.
First off, I suppose you need guys to supervise the production, people who actually understand the material. Which is why I think a Pokemon Adventures anime production should start off by finding a good director. Not necessarily the production company but the director who has the vision. They are the guys who put many famous anime companies on the map afterall. There's also of course the writer of course. That's important as he's responsible for keeping the director's vision together.The problem comes from where do you start?
No I mean where in the Manga do you start.First off, I suppose you need guys to supervise the production, people who actually understand the material. Which is why I think a Pokemon Adventures anime production should start off by finding a good director. Not necessarily the production company but the director who has the vision. They are the guys who put many famous anime companies on the map afterall. There's also of course the writer of course. That's important as he's responsible for keeping the director's vision together.
Honestly, anywhere's fine except for remake and third version chapters which act more like sequels. Pokemon Adventures is like Pokemon's answer to the Marvel Cinematic Universe or JoJo's Bizarre Adventures. Actually would you believe me that out of all the manga that I've seen Pokemon Adventurs compared to, JoJo's Bizarre Adventures is the most common one lol? Anyways, an long-time Pokemon Adventures fan will be rewarded with tons of callbacks to past entries but practically every chapter is a brand new story from beginning to end that any new fan can get into. However, I'd say the very first Pokemon Adventures chapter, RGB (Gen 1) would be where it has to be adapted. This is because while a Pokemon Adventures anime can choose to adapt any of the other later chapters and not worry about chapters that came before, if you adapt the first one and continue from it there, you will be able to recreate that same MCU or JoJo-like experience that's rewarding to both long-time viewers who pay attention to the characters and world-building and also new fans who just got into it years later.No I mean where in the Manga do you start.
I just meant someone who is obviously meant to be an Ash expy. So like, similar designmaybe even a similar hatand motivation .
I feel like they do care about how they write him, it's just that their definition of caring differs from what older fans want. I also noticed that it's mostly the older fans who get triggered by Ash as opposed to the younger fans who don't seem as whiny.
I feel like they do care about how they write him, it's just that their definition of caring differs from what older fans want. I also noticed that it's mostly the older fans who get triggered by Ash as opposed to the younger fans who don't seem as whiny.
There are a lot of repetitive elements in the anime and not just when it comes to Ash/Satoshi. At least Ash/Satoshi changes sometimes (and gets an arc like the Chimchar/Greninja story if he's lucky) even if it makes him inconsistent.
I think the repetitive gags are the worst thing about the anime because it feels like an excuse for lazy writing so they can release an episode every week. The core idea is the same regardless if it's Team Rocket blasting off, Brock/Bonnie hitting on girls, the Alola gang pretending to be Power Rangers or Clemont/Cilan coming up with random ideas.
The gags just get a new coat of paint once in a while and then we are stuck with them for the rest of the series. Sometimes it almost feels like you have already watched the new episodes before. Ideally they would make less episodes and focus on quality instead. Ash's/Satoshi's development would probably benefit from that.
Emelie said:Ideally they would make less episodes and focus on quality instead. Ash's/Satoshi's development would probably benefit from that.
Beyond that, though, some of what they choose for extended gags, and what people they choose to feature in them, started to feel more and more cruel to me the longer they ran. The bit about Brock being horny is preeminent; I grew to hate how he was stuck in a go-nowhere loop because aside from that flaw, he was a really good guy. I feel Brock deserved to meet the right girl and end up with her, since he did have a lot to offer a partner.
As for the Team Rocket trio, I truly feel they've outlived their purpose.
Poor 4Kids. The one time they make someone dead instead of censoring it, they show up later.I read an interesting analysis once that the reason Brock keeps going after older girls is because he wanted somebody else to take care of him for a change since his mother was absent (but not dead unlike what 4kids tried to convince us LOL) and he had to take too much responsibility at home and mabye in the traveling group too.
Kind of a shame to portray this as a gag since it would have been great if the anime tried to tackle this issue. It's a little ironic that Misty, Max and sometimes Ash berate Brock since they are actually part of the problem since he is pretty much forced to care for most of their needs. Maybe he wouldn't have this weird oedipus complex anymore if the other also helped out with the chores which would lead to him having to take less responsibility?
As for Team Rocket, I like them as characters and their backstories are great (Musashi's especially, even if it's the most obscure one) but they have become static characters. It's a shame the BW plot had to get cut off after the earthquake. They even introduced a new character but he never showed up again? Could have brought something new to the table and changed the tired old formula.