Oh, boy, Mystery Comic Theatre Material. Way I can tell? The comic's bad and the author's additude is subpar. >>
Anyway, I've been hovering over your comics for some time, and I can tell that you've, if anything, gotten WORSE in comic making. Let's see what we have here.
- Breathing Panels (Means the panels constantly change in size)
- Disconjoined Panels (None of the panels actually touch each other, or are relatively close to each other)
- Lack of plot(I know enough about Conker's Bad Fur Day to get by in this case, but not everyone will.)
- Overuse of swear words(No...Just...No. This comic's screaming "WANNA BE GANGSTA" all over it. One of these days, one's going to sock you for making fun of them.)
- pre school sprite editing (Any Dipstick can draw a circle and add teeth. Any Dipstick can also move around and change the color of ten tiny squares so they look like teeth, as well.)
- Text Under Panel (Unless you have a VERY good reason for it (with MCT, this is so My speech dosn't interfere with other text bubbles), there is no excuse for it. None. Especially if the comic's not a journey comic)
- The Magical Floating White Box (It's blue box in this case, but you get the picture. The strawberry thing looks like it was slapped on there without any attempt at making it look decent)
- Slight 1337 speak. (Did you know that it's easier to type "he" than it is to type "3h"? That's what I'm talking about.)
And that's just from the first comic.
Listen, if you want this comic to be any good, stop with the blissful unawareness of critics, stop pissing everyone off because you know your comic's bad and start taking our advice.