Cutlerine
Gone. Not coming back.
With Cheren and Bianca's luck, I expect them to go to the opposite entrance to Chargestone cave that N and Jered come out of..........................................................................................................................................................and I still don't see what seafood has to do with any of this.
You'll see about the seafood later on. Although I have started laying the groundwork for the seafood part of the plot.
Side note: I really, really love seafood.
Seafood sparked the initial conversation with a paring of characters earlier, that's all I remember.
Anyway, I like how you used the shadow triad here, I was actually wondering if they would make an appearance. I bet if ezra hadn't shown up, the triad would have saved Jared regardless but most likely bianca and cheren would have been left behind (I don't care to capitilize their names)
I'm not sure whether they would have saved them or not. Certainly they could have done, since there are three of them, but if they had they almost definitely wouldn't have taken them all to N.
For reasons that will be revealed later, I don't think N would let Cheren and Bianca die... yet. As such, I think the Shadows might have saved them.
Really liking this right now and look forward to the next instalment.
Thanks! We're getting towards the first of the two Enormous Events that I've had planned from the start and which have been guiding the plot so far, so I hope the story continues to hold your interest.
...Now I'm gonna subject you to a dream I had a few days ago. There was somebody in a fandom, talking about a race of golems left behind from an ancient civilization or whatever, the golems were quite spiffy, they were made of metal and thin and angular like Tin Men. The plot is, some invading race came in and did something horrible at some point. Okay so the person goes into WW2 horror-poetry mode, with everything she's saying (possibly she was JX Valentine) conscious as all-caps logorrhea:
NOTHING THEY DID NOTHING THEIR CHILDREN SLAUGHTERED DO YOU THINK THEY KNEW DO YOU THINK THEY CARED THEIR LOVE THEIR CRANIAL STOPS THEIR LAUGHTER THEIR MADNESS THEIR
etc, while I looked up from the POV of a fallen golem Tin Man, watching an ill-defined black samurai approach me, the laughter in my soul escalating smoothly to terror as it bent down to hew me. Why are all my nightmares so tacky?
A dream for a dream, as they say:
I was going to a fair in a small country village somewhere. It was a beautiful summer's day; the fields were bright green and the little white houses practically glowed in the sunlight. With me was a friend of mine with bloodlessly pale skin and black hair.
We did not get to the fair.
A storm came. The sky grew dark and the sun burnt red; there were screams from the fair and as the rain started coming down we fled down a side road through the woods along the south edge of the village. I saw flashes of feather and scale among the trees, and at one point even saw two of the creatures standing by the side of the road. They weren't scared. They weren't trying to intimidate us. They were just watching.
We ran.
We kept running and eventually came to a large shed - a building on a farm just across from the edge of the woods, west of the village. It was full of old farm equipment, and connected to the farmhouse on one side - but we didn't dare go in there; we were afraid of what might be there. There was a refrigerator and some imperishable foodstuffs, too; this place had evidently been used as a larder/garage/equipment storage place combo.
We barricaded the doors and waited, looking out at the rain through the cracks in the curtains.
A 'time is passing' montage happened. I don't remember much of it, just the red, swollen sun moving across the sky, and the knowledge coming to me - perhaps via the radio - that outside our sanctuary, the world had gone to hell. Dinosaurian monsters had risen from the earth. In some places, the dead did not stay dead. Civilisation as we know it had fallen.
After the montage - weeks later, or months; we had lost track of time - two men broke in: one through the front door, one through the door that led into the farmhouse. They were tall and filthy, with intelligent eyes and tattered clothes. One had the kind of beard that a hairy man ends up with after a few months without a razor; the other just had stubble.
My friend and I stood in the room, separated. The man who came through the front door was behind me and wouldn't let me move. He may have had a knife at my throat; my memory is unclear. I thought they wanted our food, our shelter - I would have let them have it, if they had just left us alone.
The other man looked at my friend with a terrible predatory gleam in his eye, and she looked back at me.
We were so, so afraid.
And then I woke up.
We did not get to the fair.
A storm came. The sky grew dark and the sun burnt red; there were screams from the fair and as the rain started coming down we fled down a side road through the woods along the south edge of the village. I saw flashes of feather and scale among the trees, and at one point even saw two of the creatures standing by the side of the road. They weren't scared. They weren't trying to intimidate us. They were just watching.
We ran.
We kept running and eventually came to a large shed - a building on a farm just across from the edge of the woods, west of the village. It was full of old farm equipment, and connected to the farmhouse on one side - but we didn't dare go in there; we were afraid of what might be there. There was a refrigerator and some imperishable foodstuffs, too; this place had evidently been used as a larder/garage/equipment storage place combo.
We barricaded the doors and waited, looking out at the rain through the cracks in the curtains.
A 'time is passing' montage happened. I don't remember much of it, just the red, swollen sun moving across the sky, and the knowledge coming to me - perhaps via the radio - that outside our sanctuary, the world had gone to hell. Dinosaurian monsters had risen from the earth. In some places, the dead did not stay dead. Civilisation as we know it had fallen.
After the montage - weeks later, or months; we had lost track of time - two men broke in: one through the front door, one through the door that led into the farmhouse. They were tall and filthy, with intelligent eyes and tattered clothes. One had the kind of beard that a hairy man ends up with after a few months without a razor; the other just had stubble.
My friend and I stood in the room, separated. The man who came through the front door was behind me and wouldn't let me move. He may have had a knife at my throat; my memory is unclear. I thought they wanted our food, our shelter - I would have let them have it, if they had just left us alone.
The other man looked at my friend with a terrible predatory gleam in his eye, and she looked back at me.
We were so, so afraid.
And then I woke up.
Sometimes I dream in short stories like that. When I do, they are almost invariably terrifying.
Maybe I write too much.
Shiiiiiiii... Did you intend anybody to realize what the retriever was until this scene?
I have to confess, I'm not sure what you mean by that.
This is pedantic: what is the precise mechanism by which less logical people understand what N does? I mean of course this comes from the tradition of things in British sf that sometimes, people 'just know'. But then, I dunno, you're playing around with that tradition, making rules like 'logical people don't have that sense' (which, I admit, is the most natural way to proceed). But could it stand for some elaboration beyond 'just knowing'? How exactly someone like Cheren would be led to miss it?
I think what I meant is that Cheren would look for a logical reason why N could know - whereas anyone else would have been able to intuit by now that N and Jared are not like other people, and that N does not necessarily have a 'logical', or indeed a knowable, reason for his connection with Jared.
Nevertheless, I take your point.
Doesn't the group feel a little forlorn and awkward without Jared/Lauren? Their chemistry isn't coming together. They've no idea what each other are talking about.
Wouldn't you? After all, without the hero, how can the rest of the legend carry on successfully?
****, Cheren, you're using Dropbox to ensure data against the Party's more private secrets? Remember when it was hacked last year? Dropbox is not the most secure thing, if N's people really wanted to destroy this sensitive information.
I think the story's set before the Dropbox hack, although I confess I'm a bit hazy about the exact time. Besides, I imagine that what happened was that Cheren's phone automatically syncs its photos with his laptop via Dropbox - I imagine there was very little choice involved at all.
This is all theory, of course. I don't own a phone complicated enough to run any sort of app at all, let alone Dropbox. I chose a phone that slides open over a phone with functionality, and I've never regretted that decision.
Because, y'know. Slidey!
That was a lovely beginning, so tranquil that it made me think of Woolf of all people. "Septimus Warren Smith heard the birds singing in Greek" (not an actual line).
Septimus Warren Smith was always a bit more disturbing for me right from the off. In fact, this is probably more Robert Rankin than Virginia Woolf - though hey, I'll take a compliment when it comes my way. Thanks.
I fail at 'helpful', so I'm gonna try for 'fertile bed': I wonder how much the evil of supernatural beings is rooted in just this point, which seems to be, they don't understand suffering. Damage that is an annoying impediment to action, vs. damage that is physically suffered. Teiresias has no sense of what Smythe might be feeling under the effects of starvation and cold, and this is why compassion is lost to him. Ezra's condition is similar, I think. But these Castiel figures who try to help mortals anyway, I wonder how far their sense of good or compassion really goes, how much they simply try to do good mechanically, imagining an absent sense of compassion. Wait I forgot Ezra's probably not on a moral mission. Even so, he sometimes does things that are only motivated by a sense of right, small as they are.
You mentioned Lovecraftian horror before. Although Derleth later added a morality to the Mythos (which I think was a terrible move), originally there was no good or evil at all in Lovecraft: just humans, and creatures so far above them that they simply do not understand or even care about humanity, any more than we would care about lice. Creatures with alien minds and moralities. My demons come from the same tradition: it's not that they dislike us, particularly (except Weland, who has a specific reason for disliking humans that will be discussed later), it's just that we don't matter, and we have an annoying Gorsedd of druids that interfere with them if they come up here.
Ezra, of course, is not quite the same as other demons. There is some morality in his mission, or at least he thinks there is. But there is another motive, and one that he has not yet admitted to anyone.
Slightly anomalous? Maybe it's just the fact that you wrote "Smythe" in the third one, to avoid repeating "He", which in turn made it feel somewhat like "Smythe" and "he" were different people.
Oops. I rearranged the order of these sentences during the edit and forgot to alter the pronouns/proper names accordingly. Well spotted.
Oh yeah, and what does my previous rambling about good and evil mean for the evil of someone like Halley, who has a sense of suffering, but doesn't use it for other people? An evil maybe less justifiable? But also a lot less absolute?
There is something of an extenuating circumstance in her case, which I can't tell you about (and which frankly doesn't excuse that much). At the moment, though, it does look like she is morally worse than the demons: you could say she is a true moral evil, whereas they are more of a natural evil.
Lauren waits patiently, holding her OTP folded over her bosom. (I didn't mean to pull Lauren into it, but she was the one who declared it, you know.)
Well, it's not necessarily that they'll end up lovers. They may well simply be returning to a previous state of close friendship. Perhaps I'll decide one way or the other; perhaps I'll leave it open, and up to the readers to interpret as they see fit.
A nice modulation, on what we talked about in the last review. In the first place, the events of a full-tilt plot actually happening to someone in real time, they've got to have a very particular dislocating effect. In the second, I feel this is hinting towards Jared actually learning to come into his own, in a way; this might be how he matures the natural abilities you need to deal with so much supernatural ****.
Yep. I'd written this before your review, but I went back and edited it to make it a bit more obvious afterwards when it became clear to me that I wasn't managing the segue into familiarity-with-supernatural-stuff very well.
I can't be sure if this line break was intentional. Bringing it to your attention anyway.
This definitely isn't.
Yep, those were both mistakes. Thanks.
I like the way you sometimes describe pokemon in reference to mythical rather than real creatures. The idea of Taillow being a sparrow pokemon in a world where no sparrows exist is problematic; your fic slides through it, by having real animals. I hadn't thought about this in the last review.
I'm not sure what you mean. Elvers are eel larvae - as are Tynamo. I think one of us is misunderstanding the other, though I'm not sure who.
But yeah, there really have to be actual animals alongside Pokémon, or the ecosystem just doesn't work and any sense of realism is simply gone. It was one of the very first things I decided when setting up this Unova.
Cool. I was also going to be pedantic, like in the Cheren quote above, about when N says "I simply can't do it, because destiny". One of my old thoughts was that destiny ought not to work in a way that directly contradicts the actors somewhere -- nudges them, not through the working of normal cause and effect, but by a magical deus ex machina. Now I also think it's that d.e.m. that provides the element of actual magic; a story ought to have a d.e.m. somewhere, or it gets really ****ing banal. What do you think?
I'm not sure. I suppose it can be done well, but equally I suspect that it's not something that would suit all stories.
Plus, it suddenly makes it incredibly cool that these characters are jacking the system -- getting past a d.e.m. by ingenuity, as though it were a jumpable fence set up by wyrd, and not the word of wyrd, itself.
Thanks. I'm trying to make my fate fluid. Everyone's constrained by fate, and some more than others - but there's a way around it if you really want to bypass it. Free will torn from the jaws of destiny, if you like.
SH*T! That dragon who stole a tower is what they're talking about! Everything loops back to itself, ultimately! There is no god! Your update schedule is quite awesome!
We'll see about the dragons. They haven't been mentioned for a while, have they? I wonder why that is.
Also, thanks! I do try to keep to a schedule of one update each week, if I can.
Thank you all for reading, commenting and (possibly even) enjoying! It's very much appreciated.