Umbramatic
The Ghost Lord
OK, got some good sleep, so COHERENT REPLY TIEM, complete with gratuitous abuse of my imgur reaction image folder (though hyperlinked rather than embedded because forum rules).
Also spoilertagged because WALL OF TEXT
Again: WE. FRIGGING. TIED.
Though seriously, I really am that excited about it; solvino's a very good friend of mine who I really respect as a writer, so to tie with him smack-dab in the middle of the rankings when the last time we entered a contest together (the Interpretation contest) I placed 10th out of 13 where he placed third is a huge honor and means more to me personally than either of us individually placing first or close, so that's why I'm so giddy about it in addition to the mind-boggling coincidence.
(Also, looking at the rankings and reviews for both our entries it really further drives the point home about how tough a time you guys had judging them all; I mean, the tie pretty much happened because you all had near-opposite rankings of our entries.)
Alright, now for the PAIN TRAIN.
...Though, I feel I got less pain than expected, which is quite nice, but anyhoo...
Yes, the addition of "Plasbad" was fun and summed up the story well.
And looking at the other entry titles, it definitely seems like one of the sillier titles overall - though IMO American--Pi has me beat in that department; congrats there, American--Pi. 
Back on your end, bobandbill, glad how you liked how I presented the different aspects of Team Plasma and the whole of BW's story and how the protags reacted to both, especially since the whole fic's pretty much a perspective flip in that regard.
Hrm, yeah, some more real intrapersonal conflict between them would help their story work better; Creepychu and especially Dragonfree had a bit more to say on that so I'll save elaboration for them, but glad you found ending sweet regardless.
Thanks on Scraggy/Scrafty/Estragon and Golett/Golurk/Vladimir; their names are a bit of a nod to something tied to the premise, but I'll be elaborating on that with Dragonfree's note on the same subject.
And glad you thought the recognition/reunion bit worked - that was certainly fun to write.
Someone got the Myths of Unova reference!
I'm not usually much of a Nuzlocke comic person but Kynim's are fun, especially that one, and she was wonderfully gracious in letting me make that homage.
Glad Simpsons reference was appreciated as well, especially since that one ballooned into a larger-scale joke more its own. Also the chainsaw gag (and don't worry, Dragonfree gave it a bit more context in her review. A bit.)
Arrgh, tense and punctuation, always tripping me up. >_<
Alright, thanks! Though assuming you meant "expanded upon from the games."
Hrm... Yeah, looking at what else you said the story has a bit of a problem in terms of what it should and shouldn't focus on, but I'll get into more detail as you do. For now glad you appreciate my willingness to tackle a story like this head-on regardless.
Glad my two protagonists were a strong point and their personalities/motivations/relationship/etc. were pretty solid in driving the story. They were certainly fun to write.
Hrm... Yeah, given all that, I can see why you think I rushed the development of Tom and Roger's relationship with N and that there was a lot of missed potential there as a result, and you raise a good point with how Ghetsis would have tried to handle it with the high likelihood they found out, and I realize writing this the Shadow Triad's also likely a factor.
Shadow Triad: -happen to be playing poker at the specific point of time Tom and Roger bust into N's room-
(...Not entirely sure I want that to be explanation in revision.)
But yeah, as I said before, drawing out the development of the protags' bonding with N and focusing more on it and the effects it has on the overarching plot will definitely be one of my biggest priorities revising this fic, since, as you said, it's a core part of the plot and could use some more love in terms of handling and exploring interesting possibilities. On the note of the latter some of the things you brought up are giving fun ideas for MOAR GHETSIS - he was fun to write the one point he appeared, but I grew disappointed I was only able to work him into that one bit, so your suggestions on giving him some more focus to address your concerns are very much appreciated.
Yeah, I can see where you feel redundant stuff like that is redundant; will definitely try to trim down.
Glad you felt the dialogue and body language were high points of this story, though definitely noted on the latter sometimes creating That Makes Me Feel Angry-ish redundancy with the former.
Reshiram: -frowns- <Hey, I'm the goddess of truth. Being blunt's in the job description.>
Creepychu's saying you were being Captain Obvious about something Roger logically should have known already, and the fact he acts like he didn't until you pointed it out kinda screws up the moment.
Reshiram: <...Quiet you.>
But yeah, as I just told Truthy McBurndragon I feel you on FURTHER REDUNDANCY there, and I'm actually already getting ideas for retools of that particular scene that both fixes that and helps improve the emotional impact with both characters involved.
My loathsome tense issues strike again, will fix. (Though likely cutting that bit anyway; see my response to the bit of Dragonfree's review regarding the scene that line takes place in.)
Hrm, yeah... I'm considering giving said Pokemon a somewhat expanded role - including translated dialogue beyond that final bit - so that might help.
Glad you found the overarching story enjoyable even with your niggles on the handling of certain fine details, and again, said fine details you mentioned as particularly needing fixing for the fic to more fully shine will be high priority in revising.
...Huh?
No, seriously, that was literally the only point in your review I didn't really get what you were talking about, since I never intended to deflect genuine criticism with those notes at all and am unsure and worried about why you think that way; that version of the Author's Notes was written specifically for you judges, and as I and solvino's PAIN TRAIN jokes may have implied I very much want you judges to give that criticism because it's the whole point of the contest (said jokes were made after you wrote that, but I still felt the same way). In the opening notes I was mostly just trying to give some context on what I was trying to do with the story (writing it a spinoff to previous stories that you all could still judge on its own merits without reading them, noting I was attempting to put more focus on comedy because I was personally dissatisfied with how some of other recent writing came off to me in that regard) plus a minor headcanon-y thing I was worried would throw people off unnecessarily; I genuinely never intended for it to read as trying to deflect criticism of how any of it was handed, and it genuinely really concerns me it read that way to you. That being said, since, again, that version of the Author's Notes was specifically for you judges and it'll be rewritten a fair bit for when the fic goes live, feel free to elaborate on why they came across that way so I can fix it ASAP.
Ah, so you're familiar with the story's basis, good, good.
Glad you got the parallels with Tom and Roger's personalities and the nod to the OTHER play that inspired the original (though will also note general plot was also a rather loose intentional parallel in the vein of "two clueless nobodies eventually realize something really sinister is going down", and N and Ghetsis were similarly loose stand-ins for Hamlet and Claudius, respectively). Funnily enough it wasn't meant to be a homage at first; I was initially just writing it as a silly spinoff story to both Green and White/Truth and the actual G5 games, but as it took shape I noticed it had some uncanny resemblances to the play and decided it'd be fun to just roll with it.
As for name thing, it was due to what Roger mentioned near the beginning about assuming they'd be released after the whole liberation thing, but I should have made that more clear, so thanks to both you and bobandbill for pointing that out.
Glad you find my protagonists likeable and adorable.
The gradual toning down of Tom's quirkiness over the course of the story was intentional yeah, but I could still probably afford to tone down the bits that went too far from early on like the one you mentioned.
So tl;dr "MAKE THEM BOTH ACTUALLY SUFFER SO THEY CAN BE EVEN MORE ADORABLE"?
that is so you i don't even-
...But seriously, since bobandbill noted the same thing and Creepychu alluded to it, putting more real intrapersonal conflict in with those two would help the emotional impact in a lot of areas, so that's another top priority in revising.
Hahaha, yeah, as I've noted to you before I find N super-fun to write and I'm glad he came off as true to how he is in the game this fic's story is molded around; similarly, I'm glad Tom and Roger's slow, painful realization they're in on something far nastier than what they signed up for came off well.
As a foreword, every bullet in this section had me realize "oh crap, why didn't I think of that when writing this damn thing?" so you did your job there.
Yeah, them being told before the opening scene does make more sense when put that way, so I'll be tweaking to accommodate.
Tom's Scraggy/Scrafty/Estragon was meant to particularly mirror his Trainer in personality, but the notes you bring up do offer some delicious opportunities for expanding on him and Vladimir in ways that enhance the story as a whole, so will definitely be pondering those on revising.
...Did not quite realize that within the context, will tweak accordingly.
Hrm... I consume a fair bit of visual media and tend to imagine whatever I'm writing pretty vividly and visually in my head, so both can lead me to unwittingly setting something like that more visually than narratively. That said, I'm not quite sure what to do about it either, especially since you think the core gag is still solid, but I'll definitely think about it.
I intended for them to be portrayed as believing pretty heavily in their "ends justify the means" mentality they mentioned, but... That clearly didn't come across well at all. Retooling.
Hrm... Yeah, you're right. Cutting.
That, admittedly, was a homage in a similar vein to the ones bobandbill noted, but yeah, it's a gag better suited to the story it came from rather than this one, so I'll be retooling how they found N. Though pity that of all the homages I snuck into the story that's a one that doesn't really gel with the whole, since I'm rather fond of where it came fromhint: it's David Spade's best movie.
Yeah, that ties pretty heavily into some stuff Creepychu said so definitely doing some fat-trimming there.
Hm, yeah, your comments on body language are a nicely complementary to Creepychu's (though pleased you both found what I had well-handled), so will definitely kinda mesh both of your comments when it comes to tweaking
(Also Tom looking like a heartbroken puppy in that scene is totally in-character and I am sorely tempted to use that in the revision.)
I noticed I kept getting their names mixed up writing the thing (which strikes me as odd, considering how distinct they are personality-wise) and apparently I missed some, whoops. Also, damn you tense issues.
Very glad you liked it so much, and I'll be sure to try and fix the things you noted.
Glad my writing style came off as really smooth to you, and that it was a fun read overall.
Noted on all counts, though ARGH MORE TENSE AND PUNCTUATION ERRORS WHY
Considering my goals with this fic, I am super-pleased to hear that while not all the comedy hit its mark (and really, it takes a very skilled writer to pull that off, and I decidedly am not at that level), most of it did, and the dramatic bits all being spot-on definitely helped make up for the comedic bits that didn't further, so thanks a ton.
Overall, from going through all that I've actually already gotten a decently clear idea of what I need to do to better emphasise what works in this story and try and fix what doesn't, which is very nice. So, one hell of a thank-you to all of you judges, and I'm very happy that despite the criticisms you all genuinely enjoyed my crazy attempt to turn a famous piece of absurdist theatre into a Team Plasma fic. In light of that and the FRIGGING TIE... well, I'll let one of the fic's more prominent characters illustrate how I feel here. Or, if I'm more directly aiming at how I feel toward you judges and solvino, here.
(Though, argh, this took literally all day to write, especially with some holdups. Sorry guys. @_@)
Also spoilertagged because WALL OF TEXT
5th-6th place TIE: Overlord by solovino
Scoring
bobandbill: 4th place (60 points)
Creepychu: 6th place (40 points)
Dragonfree: 5th place (50 points)
Sike Saner: 8th place (20 points)
Total: 170 points
5th-6th place TIE: Rosencrantz and Guildenstern Are Plasbad by Umbramatic
Scoring
bobandbill: 7th place (30 points)
Creepychu: 5th place (50 points)
Dragonfree: 6th place (40 points)
Sike Saner: 5th place (50 points)
Total: 170 points
Again: WE. FRIGGING. TIED.
Though seriously, I really am that excited about it; solvino's a very good friend of mine who I really respect as a writer, so to tie with him smack-dab in the middle of the rankings when the last time we entered a contest together (the Interpretation contest) I placed 10th out of 13 where he placed third is a huge honor and means more to me personally than either of us individually placing first or close, so that's why I'm so giddy about it in addition to the mind-boggling coincidence.
(Also, looking at the rankings and reviews for both our entries it really further drives the point home about how tough a time you guys had judging them all; I mean, the tie pretty much happened because you all had near-opposite rankings of our entries.)
Reviews
Alright, now for the PAIN TRAIN.
...Though, I feel I got less pain than expected, which is quite nice, but anyhoo...
bobandbill
You were right - the title was silly. But I approve of anything using the phrase ‘plasbad’, so points from me there. =p
I found the story plot and the direction you took the plot to be neat. It was interestingly the only one which followed the entire plot of a game like so. It was nice to see you highlight some interesting points such as ‘Plasma used Poke Balls despite wanting to free Pokémon’ and the hypocrisy of some of its members (like the Munna kickers). It was also neat that you characterised a couple grunts in telling this story that I recalled from the games, and their reactions to different developments in the game felt reasonable. Good job with that!
Yes, the addition of "Plasbad" was fun and summed up the story well.
Back on your end, bobandbill, glad how you liked how I presented the different aspects of Team Plasma and the whole of BW's story and how the protags reacted to both, especially since the whole fic's pretty much a perspective flip in that regard.
It may have been nice to see more conflict between the pair in the lead up to the otherwise nice, warming ending of the two friends appreciating each other like that, as they seemed fairly agreeable throughout with a few light ‘arguments’ that usually ended in a hug-out anyway. There was a lack of tension in their issues, I thought, which is maybe fitting for a comedy piece, but it didn’t at the same time work with that final resolution as it had never been a major point I felt needed a resolution during the story.
Hrm, yeah, some more real intrapersonal conflict between them would help their story work better; Creepychu and especially Dragonfree had a bit more to say on that so I'll save elaboration for them, but glad you found ending sweet regardless.
What we saw of their two Pokemon was neat as well, but their names at the end seemed like an odd detail to add in then and there, so when their names came up a second time I had nearly forgotten they were the Scrafty and Golurk. On the other hand, the bit about N remembering those two grunts as friends? That was pretty neat.
Thanks on Scraggy/Scrafty/Estragon and Golett/Golurk/Vladimir; their names are a bit of a nod to something tied to the premise, but I'll be elaborating on that with Dragonfree's note on the same subject.
And glad you thought the recognition/reunion bit worked - that was certainly fun to write.
The humour was mostly entertaining and did the job. A couple segments or moments may have missed their mark but overall I was amused by it. (I also caught the reference to a certain Nuzlocke comic before reading the latter part of author notes. =p On that note the likes of Simpsons references did not escape notice either.) Highlights for me were some of the details with N’s isolation, the pair just getting accepted in Plasma like that, and the random what-if scene with talking to someone and pulling out a chainsaw scene. (Hi, bemused other readers of this review! Why yes, this is a weird thing to write or read out of context!)
Someone got the Myths of Unova reference!
Though on a more feelsy note I assume you are also familiar with the agony of NOOOOOOO JORDAAAAAAAAAAAN WHYYYYYYYYYYYY
Glad Simpsons reference was appreciated as well, especially since that one ballooned into a larger-scale joke more its own. Also the chainsaw gag (and don't worry, Dragonfree gave it a bit more context in her review. A bit.)
Hard to notice but there is an extra space before ‘said’ there.
This did read a bit awkwardly, and maybe could be better worded with some more showing rather than telling that he had turned ‘energetically’.
Extra quotation mark.a
And here there was a missing quotation mark.
One thing I noticed was that tenses seemed to change every so often. Tom panicked, stood, saluted, trembled – past tense phrases, but then Scraggy hides and cowers - in the present tense. (This was better showing nonetheless.) Be more consistent in what tense you use in your writing, as it can get confusing.
This could use some rewording as well, e.g. ‘Why are those always the...”.
Arrgh, tense and punctuation, always tripping me up. >_<
Overall this was a neat story that could use a bit more thought with tense usage and maybe a touch more fleshing out to give the final scene more impact, but was certainly enjoyable already and had some nice moments expanded upon in the games.
Alright, thanks! Though assuming you meant "expanded upon from the games."
Creepychu
I'm of two minds on this one. On the one hand I appreciate the ambitious scope, since trying to bridge the events of the BW storyline within the bounds of a one-shot takes some doing and it's interesting to see someone tackle that challenge. On the other hand, I feel the length is not always committed to the interesting parts of the story.
Hrm... Yeah, looking at what else you said the story has a bit of a problem in terms of what it should and shouldn't focus on, but I'll get into more detail as you do. For now glad you appreciate my willingness to tackle a story like this head-on regardless.
To begin with, you've got a solid enough pair of leads in Roger and Tom, who both come off as your fairly standard grunt-material types. Their interplay works pretty well and I can buy why the two are friends from the way they stick together and look out for each other even when their personalities clash from time to time. They've got decent chemistry going and their squabbles come off as genuine enough. Equally, I can buy why they'd get involved in Plasma given Roger's personal baggage and how easily Tom gets excited and swept in with things. As protagonist go, they make a solid pair for making things happen and getting involved in the situation and have enough moments of occasional cleverness to buy into them catching onto the ruse the way they do.
Glad my two protagonists were a strong point and their personalities/motivations/relationship/etc. were pretty solid in driving the story. They were certainly fun to write.
That being said, I felt that the other key relationship in this story (that being the one between N and our main duo) came off as a bit more forced. His initial shock at having two grunts barge into his room is appropriate enough for a shut-in, as is his soft-spoken manner, but given the initial shock and his low opinion of people he gets strangely verbose with them very quickly after that, barely even getting past initial introductions before immediately launching into expositing about his character motivations. Plot-wise this is obviously important for getting Tom and Roger involved and invested in finding out more, but character-wise it feels far too abrupt for a character who should by rights have some pretty serious trust issues with unknown human beings. I can buy this relation forming over time, but I felt it would have been more believable (and interesting) if the development was more gradual and more focus was given to this aspect of the story, since it's such a core part of the plot and would also have provided some nice opportunities for staggering out Roger's and Tom's personal matters. The story with Hazel in particular felt like it came to a head very abruptly, since you have nice hinting at it early on with his feelings about pokémon treatment, but the actual moment of reveal kind of blindsided me. The other question that comes to mind is how negligent Ghetsis is of all this. These two burst into N's room, with brownies, and yet apparently he is completely unaware of it after the fact despite all the pains he's gone through to isolate N and control every influence he gets into contact with? Given the impression they made, I'd be very surprised if N had just kept quiet about the whole thing, especially given how out of character it is for how things normally operate in the castle. Likewise, it feels strange how strong their implicit trust of N is based off just a single quick meeting where they find out he's a bit strange. It just feels like there should be more of a story to tell there, and it'd have been interesting to see how both Ghetsis and the two protagonists would have handled the situation.
Hrm... Yeah, given all that, I can see why you think I rushed the development of Tom and Roger's relationship with N and that there was a lot of missed potential there as a result, and you raise a good point with how Ghetsis would have tried to handle it with the high likelihood they found out, and I realize writing this the Shadow Triad's also likely a factor.
Shadow Triad: -happen to be playing poker at the specific point of time Tom and Roger bust into N's room-
(...Not entirely sure I want that to be explanation in revision.)
But yeah, as I said before, drawing out the development of the protags' bonding with N and focusing more on it and the effects it has on the overarching plot will definitely be one of my biggest priorities revising this fic, since, as you said, it's a core part of the plot and could use some more love in terms of handling and exploring interesting possibilities. On the note of the latter some of the things you brought up are giving fun ideas for MOAR GHETSIS - he was fun to write the one point he appeared, but I grew disappointed I was only able to work him into that one bit, so your suggestions on giving him some more focus to address your concerns are very much appreciated.
By contrast, there are other places where I feel you are going over the same information to excessive amount. The most prominent is the run-in with Ghetsis in the hallway, where you first describe the scene as it happens and then launch straight into Tom explaining for a second time what we you just got finished explaining to us. In this case, I feel it would have been more efficient to cut straight to Roger's reaction to the story rather than going through the conversation leading up to it itself, especially since you already have a lot of ground to cover writing-wise.
Yeah, I can see where you feel redundant stuff like that is redundant; will definitely try to trim down.
On a writing-level, dialogue is where your story shines the most. All the core characters have distinct ways of expressing themselves that set them apart from each other and feel appropriate to the personalities in play and aside from the odd expositiony bits here and there the flow of conversations feels natural. The narration does its job competently and I appreciate the attention to body language, since it does a good job of conveying the emotions at play, enough so that some of the character explaining their feelings out loud feels redundant at times. This is particularly strong in the part after N is defeated, where I'd have appreciated more emphasis on the way they speak and behave rather than on each of them talking feelings since it's the kind of shocking moment where I'd expect that sort of self-reflection to be difficult.
Glad you felt the dialogue and body language were high points of this story, though definitely noted on the latter sometimes creating That Makes Me Feel Angry-ish redundancy with the former.
On the note of people explaining feelings, it also felt rather awkward for Reshiram to have to explain Tom's loyalty before Roger realized it, since the two have come off as close and loyal to the point where it seems very weird that Roger would find this surprising. Given how much is going on I can understand him needing an outside push to actually make him speak his mind on it, but a more subtle nudge should have been quite enough for that sort of thing and it does sort of cheapen the sentiment to know that he was genuinely surprised to find this out not a minute ago.
Reshiram: -frowns- <Hey, I'm the goddess of truth. Being blunt's in the job description.>
Creepychu's saying you were being Captain Obvious about something Roger logically should have known already, and the fact he acts like he didn't until you pointed it out kinda screws up the moment.
Reshiram: <...Quiet you.>
But yeah, as I just told Truthy McBurndragon I feel you on FURTHER REDUNDANCY there, and I'm actually already getting ideas for retools of that particular scene that both fixes that and helps improve the emotional impact with both characters involved.
On a technical level, I didn't find anything particularly off, though I did notice an odd switch to present tense for no apparent reason:
The paragraph could easily have been past tense and honestly should be.
My loathsome tense issues strike again, will fix. (Though likely cutting that bit anyway; see my response to the bit of Dragonfree's review regarding the scene that line takes place in.)
Lastly, the ending line felt like a pretty perfunctory note to end on, especially since you had a little ending joke on the previous line that would itself have worked better. It's equally a little bit strange to end on the words of two pokémon that have been silent side characters up to the story, but what they're saying is at least thematically fitting and would make for a better end point.
Hrm, yeah... I'm considering giving said Pokemon a somewhat expanded role - including translated dialogue beyond that final bit - so that might help.
All in all, there's a fair bit of rough edges here and I would have appreciated more attention towards building the relationship with N and less on recapping plot points from the games (which your expected readership should already be pretty familiar with) but I found myself rather liking the core story. Trim off a bit of the excess exposition, give a bit more focus to the central character relationship and you should be good.
Glad you found the overarching story enjoyable even with your niggles on the handling of certain fine details, and again, said fine details you mentioned as particularly needing fixing for the fic to more fully shine will be high priority in revising.
On a non-evaluation point, I'd also consider trimming down those authors' notes. There's no need to distract your readers by trying to pre-empt criticisms when you could simply stand behind your work with confidence and address the complaints as and if they come instead.
...Huh?
No, seriously, that was literally the only point in your review I didn't really get what you were talking about, since I never intended to deflect genuine criticism with those notes at all and am unsure and worried about why you think that way; that version of the Author's Notes was written specifically for you judges, and as I and solvino's PAIN TRAIN jokes may have implied I very much want you judges to give that criticism because it's the whole point of the contest (said jokes were made after you wrote that, but I still felt the same way). In the opening notes I was mostly just trying to give some context on what I was trying to do with the story (writing it a spinoff to previous stories that you all could still judge on its own merits without reading them, noting I was attempting to put more focus on comedy because I was personally dissatisfied with how some of other recent writing came off to me in that regard) plus a minor headcanon-y thing I was worried would throw people off unnecessarily; I genuinely never intended for it to read as trying to deflect criticism of how any of it was handed, and it genuinely really concerns me it read that way to you. That being said, since, again, that version of the Author's Notes was specifically for you judges and it'll be rewritten a fair bit for when the fic goes live, feel free to elaborate on why they came across that way so I can fix it ASAP.
Dragonfree
So this is basically Rosencrantz and Guildenstern Are Dead, but for the fifth-generation Pokémon games instead of Hamlet. That's definitely a pretty amusing idea. I liked that you gave them the same names and somewhat analogous personalities as a homage to Tom Stoppard's play, and the Waiting for Godot reference near the end was a treat, too (although I've got to wonder why they'd give their Pokémon names all of a sudden then when they haven't had nicknames for most of the story).
Ah, so you're familiar with the story's basis, good, good.
As for name thing, it was due to what Roger mentioned near the beginning about assuming they'd be released after the whole liberation thing, but I should have made that more clear, so thanks to both you and bobandbill for pointing that out.
You do a good job of characterizing Tom and Roger as distinct; their voices are quite different, to the point that I have no problem following even long stretches of dialogue between them with no dialogue tags, and that's always a plus. Tom's hyperactive, childish eccentricness is sometimes over-the-top (his immediate declaration that he's going to walk over to the king of Team Plasma and give him a "big Ursaring hug" seemed particularly exaggerated), but he gets less so as the story goes on, and overall both Tom and Roger are quite lovable and endearing and you show their relationship nicely.
Glad you find my protagonists likeable and adorable.
This wasn't as much of a story about their friendship as I expected, though. At the end Reshiram gets Roger to tell Tom that he cares about him and he's the best friend he's ever had, and Vladimir comments that they've learned that the bonds of friendship can withstand great strife and work past great differences. But while this is adorable, it didn't actually feel at any point in the story like there was any significant strife or great differences between them, or a sense that Tom felt particularly unappreciated by Roger and needed to hear how much he cared. They argued about some trivial things, sure, and Roger called Tom an idiot sometimes, but they didn't have anything that seemed like a major interpersonal conflict - it just looked like regular friendly bickering to me. Overall, I think if you truly wanted an arc about their friendship evolving and growing stronger as they withstand great differences, you should have tried to convey that conflict and strife in a more focused way - show Tom being hurt when Roger lashes out at him, show them fighting over something that matters and not reconciling at the end of the scene. That would have made the "Total bros" scene far more potent - it's definitely sweet as it is, but it would be even more so if we truly felt like they hadn't been as certain of their friendship and their need for each other before.
So tl;dr "MAKE THEM BOTH ACTUALLY SUFFER SO THEY CAN BE EVEN MORE ADORABLE"?
that is so you i don't even-
...But seriously, since bobandbill noted the same thing and Creepychu alluded to it, putting more real intrapersonal conflict in with those two would help the emotional impact in a lot of areas, so that's another top priority in revising.
Instead, in its current form it's more of a mostly-comedic story about Black and White's storyline as told by some grunts hovering on the sidelines. You do a nice job of showing N and how passionate but sheltered, manipulated and ultimately screwed-up he is, even with lighthearted, comedic scenes, as well as portraying Team Plasma members who sincerely believe in N's cause slowly losing their faith as they realize how deep the corruption at the heart of the organization goes.
Hahaha, yeah, as I've noted to you before I find N super-fun to write and I'm glad he came off as true to how he is in the game this fic's story is molded around; similarly, I'm glad Tom and Roger's slow, painful realization they're in on something far nastier than what they signed up for came off well.
There were a number of things happening throughout that struck me as kind of strange, awkward or unnatural, though:
As a foreword, every bullet in this section had me realize "oh crap, why didn't I think of that when writing this damn thing?" so you did your job there.
- Why do Roger and Tom need to be told what Ghetsis and N look like? Would they really never have seen them or any photos of them or anything in the process of signing up for the team? As far as I can tell there's no story reason to have them not know from the start, either - it just adds unnecessary dialogue to describe them.
Yeah, them being told before the opening scene does make more sense when put that way, so I'll be tweaking to accommodate.
- Why does Tom's Scraggy immediately start hugging his leg? It's cute, but not generally a thing someone would do when confronted with a complete stranger they know nothing about. This especially jumps out at me because it'd actually be interesting to see some indication of exactly where Team Plasma's Pokémon come from. Were they "liberated" from other trainers? Then they'd probably be confused and upset to have been separated from them. Or were they caught in the wild by other Plasma grunts? Did their captors explain to them that they'd be assigned to other new recruits - and then wouldn't they be initially wary, wondering if the people they're assigned to can be trusted - or were they just caught and the next thing they know is standing in front of some completely different people - in which case they'd probably be confused and scared? Were they perhaps persuaded to join the cause, being passionate about Pokémon liberation themselves? We don't really get any idea of Scraggy and Golett as characters, even though there's a lot of potential there, especially for a story focused on Team Plasma - they have personalities, but there's no real sense that they have their own desires, motivations and lives, and I think that would be a great addition to this story, enhancing its themes both about Team Plasma and about friendship.
Tom's Scraggy/Scrafty/Estragon was meant to particularly mirror his Trainer in personality, but the notes you bring up do offer some delicious opportunities for expanding on him and Vladimir in ways that enhance the story as a whole, so will definitely be pondering those on revising.
- How did Roger and Tom not notice until after the fact that N had been talking about what Pokémon were saying during the battle with Hilbert? That would immediately jump out at anyone who think it's impossible to understand Pokémon speech, not be an afterthought that doesn't occur to them until several minutes afterwards. It makes sense Roger might not mention it until the battle is done, so that they can listen to the rest of what's going on, but then that should definitely be the first thing he comments on, not his disappointment that N used a Purrloin and lost.
...Did not quite realize that within the context, will tweak accordingly.
- The image of murderous cackling N with a chainsaw saying his name stands for "No survivors" definitely cracked me up, but it comes off as a very visual gag, which makes it feel a bit strange - I can just picture how this cut would happen in a TV show, but in prose it looks a lot weirder to have an absurd imaginary scene inserted in the middle of a conversation the same way. I'm not sure what to advise you here, because the scene is genuinely amusing - it might work better if you just had Tom describe it in a vivid, cinematic way, but I'm not actually sure how well it would come across. So, really, I don't know.
Hrm... I consume a fair bit of visual media and tend to imagine whatever I'm writing pretty vividly and visually in my head, so both can lead me to unwittingly setting something like that more visually than narratively. That said, I'm not quite sure what to do about it either, especially since you think the core gag is still solid, but I'll definitely think about it.
- Why are the grunts by the water cooler so eager to casually volunteer the fact that they abused a Munna? Surely, even though half of Team Plasma doesn't really believe in N's ideals about saving Pokémon, they'd know to at least try to keep up the pretense around other members they don't know. It would be a lot more believable, and actually possibly more sinister, if they were doing their best to minimize and talk around it - perhaps Roger would notice that they're being vague and probe them until he fishes it out of them, or something like that. Either way, currently they come off as rather cartoony, like they have no conception that anyone would have a problem with kicking Munna, even though they're in an organization that revolves around exploiting people's genuine sympathy for the cause of Pokémon rights.
I intended for them to be portrayed as believing pretty heavily in their "ends justify the means" mentality they mentioned, but... That clearly didn't come across well at all. Retooling.
- How do Roger and Tom have the time to beat up the thugs and shove them "somewhere inconspicuous" (where would that be, in the middle of an amusement park?) before this one car of the ferris wheel passes? If it's moving continuously, they only have a few seconds to get on. This encounter also makes Tom and Roger out to be implausibly skilled fighters by easily taking out two "thugs" with nothing more than random frying pans, just for the sake of a cartoony visual gag - honestly, I don't think it's worth it for the unbelievable setup here, given nothing about it has any wider repercussions for the story or is addressed in any way later. You might as well just have them go straight to spying on N and Hilbert.
Hrm... Yeah, you're right. Cutting.
- Skipping completely over how Tom and Roger did find N at the end, right after saying that he could be anywhere, stretches suspension of disbelief, even if you end up making a lampshadey joke about it. By the time the joke comes along, we've already spotted that it doesn't make sense, gone "Wait, what?" and concluded it's not going to be explained - at that point you can't back out by making it into a joke. Even if you did make it work out so that the first time we realize they shouldn't have been able to find N was right before the joke, though, I don't think this fic has set the right tone for that kind of joke. So far, the humour has been entirely grounded in normal reality - there have been no bizarre unexplained happenings waved away in this manner, and when it suddenly happens at the end of a ten-thousand-word fic, it just seems to come out of left field. I kind of like the joke in theory, but it needs to be in a very particular sort of story to work, and I don't think this story is it.
That, admittedly, was a homage in a similar vein to the ones bobandbill noted, but yeah, it's a gag better suited to the story it came from rather than this one, so I'll be retooling how they found N. Though pity that of all the homages I snuck into the story that's a one that doesn't really gel with the whole, since I'm rather fond of where it came from
Overall, I feel like this entry is a bit longer than it needed to be. That's not to say entire sections should be cut, just that I notice quite a few chunks of dialogue throughout that just don't add much - they don't further the plot in any way that couldn't just as well have been left out altogether, and they're not actually jokes or part of a setup. Mostly these are bits that give information, discuss the implications of something that just happened or tell us about something that's about to happen, where the information being given could easily be inferred by the reader or at least condensed to not take up several lines of back-and-forth dialogue. It's not a huge deal - it's not like these are long stretches of the story, just a few lines of dialogue here and there, and it doesn't seriously hurt my enjoyment of it - but it's something I noticed and that you might want to think about, especially when you're worried that you might go over a word limit, as you indicated you were with this entry.
Yeah, that ties pretty heavily into some stuff Creepychu said so definitely doing some fat-trimming there.
This story is very dialogue-focused, and I feel like it would have benefitted from a bit more narration. Everything is kind of abrupt, and while that works well for the comedic bits where it makes the dialogue more snappy and keeps up the rhythm, the more dramatic parts could convey emotion in a clearer, smoother way if they did more of describing the characters' actions, expressions and body language. You already have some body language in your dialogue, and it's generally well done body language that really adds to the reader's understanding of what they're saying and how they're feeling (good job on that!), but there's still comparatively little of it. Especially in scenes like where Roger is finally telling Tom about Hazel, I feel that it would come through better if you spent more time on what they're doing while this is going on - both of them, not just Roger. How does Tom react to hearing that story? Does he come over to try to comfort Roger? Does he look like a heartbroken puppy at the very thought of that kind of Pokémon abuse? When he says he joined Team Plasma to help stop this kind of thing, how does he say it and what does he do as he says it? It'd be more vivid to the reader if you wrote out a bit more of that kind of detail.
Hm, yeah, your comments on body language are a nicely complementary to Creepychu's (though pleased you both found what I had well-handled), so will definitely kinda mesh both of your comments when it comes to tweaking
(Also Tom looking like a heartbroken puppy in that scene is totally in-character and I am sorely tempted to use that in the revision.)
There are also some proofreading mistakes in here. In particular, a couple of times you confuse Tom and Roger's names, and you slip into present tense in several places; watch out for that.
I noticed I kept getting their names mixed up writing the thing (which strikes me as odd, considering how distinct they are personality-wise) and apparently I missed some, whoops. Also, damn you tense issues.
That's a lot of criticism, but I genuinely really enjoyed this story. It's sweet, adorable, definitely has its pretty amusing moments, and overall just makes me smile. Not everything in it makes sense, though, and I think you could have built a more consistent, solid narrative arc about Tom and Roger's friendship that would have made it even more adorable.
Very glad you liked it so much, and I'll be sure to try and fix the things you noted.
Sike Saner
This was definitely one of the most readable fics of the bunch. The style was nice and clear; at no point did I stop and go, "Buh?" Overall, this was a pretty fun read.
Glad my writing style came off as really smooth to you, and that it was a fun read overall.
The only things that really snagged me at all were the little grammatical/stylistic oopses and whatnot, and even they were pretty minor:
I do get what you were going for with the space-hyphen-space combo. But I think it'd be a little clearer and tidier to use double hyphens--like so. Plus some word programs will go ahead and format double hyphens into a proper em dash for you, which looks even better.
Here's another place that'd benefit from em dashes/double hyphens. I think it'd also benefit from having them inside the quotes rather than outside.
The bolded bit can probably go. The "in a fashion so dry" already does the job for it.
This might flow a bit better with that "later" at the beginning of the sentence, followed by a comma. Also, that comma after "their" can go.
There were also a few missing quote marks, a couple of tense errors, a few extraneous letters, and a couple of space errors. Again, though, minor stuff.
Noted on all counts, though ARGH MORE TENSE AND PUNCTUATION ERRORS WHY
As far as comedies go... well, I can't say I laughed my *** off at every gag. But I laughed all the same, especially at "but calm the fuck down"--probably because that bit mirrored my thoughts exactly at that point, heh. And perhaps more significantly, I didn't laugh at the stuff that wasn't meant to be funny, i.e. the Deino backstory.
Considering my goals with this fic, I am super-pleased to hear that while not all the comedy hit its mark (and really, it takes a very skilled writer to pull that off, and I decidedly am not at that level), most of it did, and the dramatic bits all being spot-on definitely helped make up for the comedic bits that didn't further, so thanks a ton.
Overall, from going through all that I've actually already gotten a decently clear idea of what I need to do to better emphasise what works in this story and try and fix what doesn't, which is very nice. So, one hell of a thank-you to all of you judges, and I'm very happy that despite the criticisms you all genuinely enjoyed my crazy attempt to turn a famous piece of absurdist theatre into a Team Plasma fic. In light of that and the FRIGGING TIE... well, I'll let one of the fic's more prominent characters illustrate how I feel here. Or, if I'm more directly aiming at how I feel toward you judges and solvino, here.
(Though, argh, this took literally all day to write, especially with some holdups. Sorry guys. @_@)