Bguy7
The Dragon Lord
1) Actually it can be close-minded if you choose to ignore several flaws in order to reach your goal of how it would work, not be great.
You know what else is close-minded? Asserting over and over again that project that may not even exist is doomed to failure without even trying to consider how it might succeed. The fact of the matter is, we don't know how they're going to go about this project. If they do go ahead with it, and make their changes, which may or may not align with what I've suggested, you might find out that some of the things you currently can't live without aren't as important as you thought. Then again, maybe I'll be wrong, and the movie will be completely awful with so many cut out. The point is, neither of us can know if the movie will be a good or bad until we see it. So how about you stop with the proclamations of how bad the movie will be until we at least see some solid information on it, if not the movie itself?
I disagree coming from a script-writer myself. If were talking about Team Rocket as the overall main focus of the story, your going to have to include the little details like Snorlax or the S.S. Anne to build-up the importance of Pokemon otherwise your Pokemon movie is doomed to fail to begin with. You also have to include showing Team Rocket's impact on the Pokemon and trainers outside of their base of operations to set up a menacing villainous presence for the audience. Also Red enjoying Pokemon battles and bonding with his own Pokemon would serve as the anti-thesis but also shares similar characteristics to Giovanni, a trainer who loves Pokemon battles as a sport but wants to become the strongest Pokemon trainer through questionable vile means. The best villains are the ones you can understand and through how Giovanni can somewhat relate to Red's adventures, that's possible.
Of course the movie is going to be more than just battling Team Rocket. And they may chose to use some of those minor subplots. They also may chose to ditch them, in favor of doing their own original, shorter, and better integrated sequences that better tie the movie together. The point is, cutting, let's say Snorlax, is a much easier thing to do than cutting Silph Co. or the Rocket Hideout.
As I explained previously. It's practically impossible to make a good video game adaptation movie out of a single one to casual audiences. It's possible to make a workable movie like Warcraft but not a great one.
Just because it hasn't happened before doesn't mean it can't happen.
Does your same logic apply to the Detective Pikachu movie? It's a video game movie. Do you think it's automatically doomed to fail too?