Yeah and here's the damn cover
[img139]http://www.wwd.com/images/processed/wwd/2013/07/29/landscape/01-large/page-1.jpg[/img139]
"Little talent"
Robin's been around for a while now (12 years IIRC).
As I read, his wife approved of this video concept (must be pretty faithful).
You also forgot about him trying to him smuggle in a monkey into Germany and when he got caught he decided to leave it there
That's because the men can't be nude or else the vid would be permabanned.
My understanding is that 2013 seems to be the year where people are getting tired of hearing the same electro-pop songs that have been dominating from 2010-2012. Therefore, when anything "different" sounding has gotten attention, it's been blowing up (this happened with Thrift Shop earlier this year). Regardless of whether you like it or not, Blurred Lines sounds quite different to music usually played by pop radio, and once it got its limelight on The Voice, it blew up because of that.
She looks like a clown and I mean that in the nicest way possible. I still wonder what the song will sound like tho. I kept thinking it would be a dance song but now Im not so sure. You just dont know when it comes to Gaga.
(And before any of you tell me I can't do that, this is what like half of you did with Call Me Maybe last summer)
THIS.
but yeah, thanks SC, for being the only one not to get absorbed in this pointless debate and offering an answer to my question. IMO what you said makes sense, and while I at first enjoyed this change during the Macklemore craze, I feel like pop music is taking the wrong direction with Blurred Lines. I kinda like its comparison to CMM, the only difference being that BL is WAYYY better than CMM IMO.
but seriously, there are some very feminist individuals in this thread, and there are others who are more nonchalant about the subject. how about we learn to accept the diversity here as opposed to blatantly verbally attacking people you express different views.
I think some people are just stunned that a song that is essentially a rape anthem is being defended. And how can anyone compare Blurred Lines to Call Me Maybe? CMM was about a girl who wanted her crush to call her. Aside from the annoying catchiness it was actually kind of sweet. So rape anthem vs love song. Yeah I can't see any similarities.
Holy ****, I just got to looking at this thread again, and Geekachu just wonderfully covered what I was going to say. 1rkhachatryan, if you still think it's about OMg the booBs, it's not. If you can't grasp what we're trying to say, then you're just hopeless.
Also, I think you don't know what sexual objectification means, so please look that up. If you do know what it is, then refer to my last sentence above.
But of course, ROBIN THICKE MADE A GOOD SONG SO HE CAN'T BE MISOGYNISTIC!!!
You're an absolute lost cause. Despite the numerous posts refuting your horribly, horribly misguided standpoint you are still prattling on stubbornly about boobs, so let's just end this now. I guess it was never meant to be.
As for this ridiculous quote though, stop trying to make male objectification a thing.
[img139]http://i.imgur.com/qipnSiW.gif[/img139]
Dude you're late to the scene. Everyone was saying this in 2012 when it became apparent that no one was really here for electropop anymore. The situation basically is that mainstream music's in a transition period where it's waiting for the next big trend to come along and dominate like electropop did from 2009-11. I mean, everyone was expecting alternative to blow up last year after the success of fun. and Gotye but nothing became of that which the R&B, funk and urban domination now would suggest.
It only takes a song like Blurred Lines to blow up and for everyone to latch onto it since they have nowhere else to go. It almost explains the one hit wonder status of Gotye; people were here for the hit and unfortunately not his discography. It will only take a few massive releases from some people to spearhead the new mainstream movement and get people fully invested in a genre again. For now, though, we'll have these one-off super hits.
No you're exactly right. It's designed to be like a clown and based off Pierrot appaz which fits the name 'Applause' since clowns are entertainers who live for applause. As for the song itself... I'm having some doubts as to how much I may like it but I think it's a lot more safe to assume that, after the underperforming Born This Way era, her label won't let her release a comeback single that is anything less than amazing to the heavens.