EMG, the Mets pwn j00!
Welcome to Reflect, the winner of the 2006 "Most Unique Storyline," and "Best Usage of Subtlety (whatever the hell that means)." Whether I should be scared or flattered by this is up for debate.
This fic is rated PG-13. There will be strong language in dialogue-- I generally don't do cursing within narration, but people talk how they talk. There are religious themes, including characters who are Christian and agnostic and main characters wrestle with belief in God. If that kind of thing bothers you, please don't read this and then harp me about it. There is violence, mostly related to pokemon, but you never know. Main characters later in the fic struggle with such things as alcoholism, suicide and homicide, and self-inflicted injuries. I'm not a graphic author, I don't particularly like that kind of thing, but don't be stupid. If the mention of that kind of stuff bothers you, do avoid it. There will be allusions to romance (life includes romance, ne?), and if you can't handle the sex level in shows like The Nanny, then, well, you're in trouble. Characters may allude to things jokingly (or seriously), and, again, I'm not a graphic writer. I don't feel the need to descrive two people making out to properly write a romance. In fact, I find it stupid. So, the point is, if someone mentioning 'sleeping with' someone bother you, the later parts of the fic may bother you.
Please, please, remeber: the opinions expressed by my characters are not necessarily my own opinions. It's that simple. If Emmett says, "The color green is always ugly," don't complain to me about how you love green, because it's his opinion, not mine. Green happens to be my favorite color.
That is all
PM notification list that makes me cool and 1337:
cyndaquil_dratini
Saffire Persian
Contents
Prologue
I. (Prewriting)
II. (Prequisites)
III. (Preemption)
Celadon City
1.1 (The future is an opaque mirror.)
1.2 (The remedy is the experience.)
1.3 (Give him a mask, and he will tell you the truth.)
---
Cold.
You see, more often than not a lonesome word is infinitely more powerful than the harangues of description most would use in its place. It invokes a single, easily deciphered emotion as opposed to a jumble of feelings that leave little wake as they pass by. What does it matter, dear reader, if he was tall and handsome? If he was neither?
Granted, he was tall, though not overly good-looking (and possibly to some not good-looking at all). But is this superficial point, in the end, what attracts one person to another? Is this what, particularly in the blindness that is a written account, creates a bond between one being and another?
I think not. This said, I give you that opening word and leave you to meditate on it: what exactly makes someone so? Naturally it is not the only trait he held, but it is quite central to the background of this tale, your vague little prologue.
She, on the other hand, merits the word 'there'. It is in fact an adjective --demonstrative, for those who are that particular-- and it is what she was. There. Seemingly from nowhere she came (though truly she reached him through her father's occupation), and, as the stories generally go, they found themselves together.
For those who still dwell on the visual despite my objections, you may call her 'average', for that is what she was. She stands no chance, you see, against the rallies of women who intrude on our eyes as we flip nonchalantly through any given magazine. Yet, she is somehow more than the average-looking girl. She is not quiet. Unlike most, she learned through experience that personality can far outshine, and even enhance, the physical being.
Regardless, they found a kind of love.
Now, contrary to how the stories generally go, he was not in the least happy about this. Or, rather, he was not happy that he was happy. Regardless of the exact situation, it involved psychological upset that he knew was out of his control, though he tried desperately to control it. Things like this did not happen. There were reasons they did not happen, reasons he could not communicate. Look around you! Do you see it? Of course not. But we don't choose these kind of things.
Reader, you can probably assume at this point without making an *** of you and me that they did, in fact, live happily together for some time. There would be no story otherwise. The exact circumstances of their affair prior to and for a significant time after marriage are not necessary at this point (though they are intriguing enough); what is the point of a prologue but to relate what is needed for a reader to understand a story? And, the point of this, what you need to understand is simply that they were wed.
Indeed.
----
Please review o.o;;
Welcome to Reflect, the winner of the 2006 "Most Unique Storyline," and "Best Usage of Subtlety (whatever the hell that means)." Whether I should be scared or flattered by this is up for debate.
Warnings, Contents, and other stuffs...
Please, read the following warnings...
This fic is rated PG-13. There will be strong language in dialogue-- I generally don't do cursing within narration, but people talk how they talk. There are religious themes, including characters who are Christian and agnostic and main characters wrestle with belief in God. If that kind of thing bothers you, please don't read this and then harp me about it. There is violence, mostly related to pokemon, but you never know. Main characters later in the fic struggle with such things as alcoholism, suicide and homicide, and self-inflicted injuries. I'm not a graphic author, I don't particularly like that kind of thing, but don't be stupid. If the mention of that kind of stuff bothers you, do avoid it. There will be allusions to romance (life includes romance, ne?), and if you can't handle the sex level in shows like The Nanny, then, well, you're in trouble. Characters may allude to things jokingly (or seriously), and, again, I'm not a graphic writer. I don't feel the need to descrive two people making out to properly write a romance. In fact, I find it stupid. So, the point is, if someone mentioning 'sleeping with' someone bother you, the later parts of the fic may bother you.
Please, please, remeber: the opinions expressed by my characters are not necessarily my own opinions. It's that simple. If Emmett says, "The color green is always ugly," don't complain to me about how you love green, because it's his opinion, not mine. Green happens to be my favorite color.
That is all
PM notification list that makes me cool and 1337:
cyndaquil_dratini
Saffire Persian
Contents
Prologue
I. (Prewriting)
II. (Prequisites)
III. (Preemption)
Celadon City
1.1 (The future is an opaque mirror.)
1.2 (The remedy is the experience.)
1.3 (Give him a mask, and he will tell you the truth.)
Prologue Part I Itself
---
Cold.
You see, more often than not a lonesome word is infinitely more powerful than the harangues of description most would use in its place. It invokes a single, easily deciphered emotion as opposed to a jumble of feelings that leave little wake as they pass by. What does it matter, dear reader, if he was tall and handsome? If he was neither?
Granted, he was tall, though not overly good-looking (and possibly to some not good-looking at all). But is this superficial point, in the end, what attracts one person to another? Is this what, particularly in the blindness that is a written account, creates a bond between one being and another?
I think not. This said, I give you that opening word and leave you to meditate on it: what exactly makes someone so? Naturally it is not the only trait he held, but it is quite central to the background of this tale, your vague little prologue.
She, on the other hand, merits the word 'there'. It is in fact an adjective --demonstrative, for those who are that particular-- and it is what she was. There. Seemingly from nowhere she came (though truly she reached him through her father's occupation), and, as the stories generally go, they found themselves together.
For those who still dwell on the visual despite my objections, you may call her 'average', for that is what she was. She stands no chance, you see, against the rallies of women who intrude on our eyes as we flip nonchalantly through any given magazine. Yet, she is somehow more than the average-looking girl. She is not quiet. Unlike most, she learned through experience that personality can far outshine, and even enhance, the physical being.
Regardless, they found a kind of love.
Now, contrary to how the stories generally go, he was not in the least happy about this. Or, rather, he was not happy that he was happy. Regardless of the exact situation, it involved psychological upset that he knew was out of his control, though he tried desperately to control it. Things like this did not happen. There were reasons they did not happen, reasons he could not communicate. Look around you! Do you see it? Of course not. But we don't choose these kind of things.
Reader, you can probably assume at this point without making an *** of you and me that they did, in fact, live happily together for some time. There would be no story otherwise. The exact circumstances of their affair prior to and for a significant time after marriage are not necessary at this point (though they are intriguing enough); what is the point of a prologue but to relate what is needed for a reader to understand a story? And, the point of this, what you need to understand is simply that they were wed.
Indeed.
----
Please review o.o;;
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